<![CDATA[Gawker: valleywag, movies]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: valleywag, movies]]> http://gawker.com/tag/valleywag/movies http://gawker.com/tag/valleywag/movies <![CDATA["Second Life: The Movie" the next Hollywood disaster]]> The director of Pirates of the Caribbean is planning Second Life: The Movie. Too late! The lonely virtual world lost its buzz two years ago. Why is Hollywood always so behind the times?

The movie business has always been late to catch on to trends. But the swift shifts of technology make the studios' sluggishness all the more embarrassing.

Universal and Pirates director Gore Verbinski have acquired rights to make a movie from a Wall Street Journal article written in 2007 about a woman virtually widowed by her husband's Second Life addiction.

The problem: Ric Hoogestraat, the subject of the story, makes an unappealing leading man: He's a 53-year-old homebound diabetic. And Second Life, the virtual world in which Hoogestraat's hunky avatar, Dutch Hoorenbeek, "married" a user who was not his real-world wife, makes for a lousy villain. How do you make a movie about a place where nothing really happens? Once Verbinski gets to understand the boring porn-and-kink-filled universe of Second Life, I suspect he'll discard that whole angle. And he'll also drop the notion of an unattractive lunk as the hero. And then, if he doesn't drop the whole idea, he'll make a movie that really has nothing to do with Second Life at all.

We should have expected this, though. I asked Chris Null, the editor of FilmCritic.com, for suggestions on just some of the technological trends Hollywood has missed. Here's the list we came up with:

Movie: Hackers (1995)
Trend: Errr, hackers.
Why it was late: Hackers had been a known media phenomenon since 1971, when Esquire published a feature story on phone phreakers. By 1995, the Internet was making hacking tools so easy to distribute that amateurs known as "script kiddies" were taking over the scene. But hey, the movie had Angelina Jolie!

Movie: You've Got Mail (1998)
Trend: Email
Why it was late: An AOL inbox was trendy around 1990. By 1998, most people worth knowing had bozofilters set on anything from an @aol.com address. And movies with Meg Ryan.

Movie: American Pie (1999)
Trend: Webcams
Why it was late: The Internet-broadcast deflowering of the main character, Jim, relied on technology that was an Internet-culture phenomenon in 1996 (remember JenniCam)?

Movie: Chat Room (2002)
Trend: Chat rooms
Why it was late: The first text-based chat room dates back to 1974, but the notion of cybersex hookups was commonplace by 1998. The first example of deception in the course of a courtship is a few millennia before that. The first and last usage of the phrase "surfin' for cyber bootie" dates to 2002.

Movie: Cellular (2004)
Trend: Cell phones
Why it was late: The cell phone was invented in 1973, or 1944, depending on whom you ask. But the idea of cell phones as a means of rescue permeated society after September 11, 2001 — which is when this Kim Basinger kidnap thriller might have felt timely.

Movie: Firewall (2006)
Trend: iPods
Why it was late: Portable MP3 players had been widely identified as a security risk by 2004, making Harrison Ford's $100 million iPod heist implausible. Plus we'd moved on to Nanos by then.

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<![CDATA[Tucker Max, Businessman]]> Tucker Max: blogger of beer and sluts, writer and producer of one of the least funny comedy movie scripts since Illegally Yours, and asshole in a dozen different ways. The most ridiculous of which is as the boss of his own mini-empire of blogs! And since last week, we've heard from several of his former Rudius Media employees, who expound on the gentle pleasures of working for one of America's foremost purveyors of racist poop jokes:

He's a cheapskate.

Last week we noted how Tucker scoffed at a former blogger who wondered why he only made $82 for six months of work. Other employees tell us the standard pay for Rudius bloggers is somewhere in the $80/ quarter range, with one noting "I got just a tiny bit more than that when my site was doing really well." Sweet. So Rudius must be making a lot of money.

You work hard for the money.

One Rudius employee was ordered by Tucker to move to a different, more expensive city because Tucker thought that they could better do their job elsewhere. Once the employee had gone to the trouble of packing up and moving and finding a new, more costly apartment, we hear, their pay was reduced to almost nothing. Which seems like the standard Rudius pay rate, now that we think of it.

He's not popular with publishers.

We hear that at least one book agent quit working with Tucker because he flaked out on book proposal deadlines. (Not true? Email us!)

He's not popular with the bloggers that work for him at Rudius.

The emails we've received from disgruntled bloggers alone are ample evidence of this. He attracts bloggers he's interested in with the promise of writing for a wider audience—though, as you can tell by their pay, not necessarily more money. But when bloggers tire of Rudius and leave the fold, we hear, they are bizarrely wiped from existence in Tucker Max's world:

If an author leaves the site, the circumstances are never discussed. Not even on the message boards. It's reminiscent of some 1984 thought-crime type thing. The author is simply never mentioned again, the site stays up and repeated questions about "what happened" are ignored.

He's vindictive.

Those who have worked with Tucker say he's very protective of his "image," such as it is. We hear that his failed appearance on Opie and Anthony is a very sore point. This sensitivity manifests itself in both the disappearing of his fallen disciples as mentioned above, and in an atmosphere in which Tucker Max sycophants feel that harassment of detractors is a way to win approval. One blogger, Violent Acres, wrote a Tucker Max parody a couple of years ago. This resulted in 70 harassing phone calls from a crazed Tucker fan in a single weekend—and we hear the harassment is still ongoing, though the blogger has filed a police report.

Is it Tucker's fault that he has a crazy fan? Not necessarily. But it is Tucker's fault that he expressed his discontent with a cast member on his movie by taking a big crap in the toilet in the guy's trailer, taking a photo of it (do not click that link), and then blogging about it.

Can't wait till the movie comes out!

[Read all previous Tucker Max coverage here. Anybody else with Tucker stories, email us.]

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<![CDATA[Tucker Max's Movie Script]]> Yesterday we put out a call for the viciously panned script of I Hope They Serve Beer In Hell, the upcoming film written by I-totally-fucked-that-chick blogger Tucker Max. We immediately received about a dozen copies of the script, which is apparently being forwarded around Hollywood like a list of bad lawyer jokes. I also could have said "like herpes," and I could also follow up by joking that the script is about as funny as a bad lawyer with herpes, haha. Friends, it opens with Tucker Max fucking a deaf girl and screaming "DON'T TAZE ME, BRO!." It is that bad. After the jump, three of the most terrible moments from the film's first half. Jesus, bro:

1. The Dramatic Opening Scene:



2. Bar Scene One: Tucker Max Has A Way With Women And Dudes Better Not Give Him Any Shit Bro:



3. Bar Scene Two: Tucker Max Can Steal Your Sorostitute You Dumb Frat Boy So Watch Out Bro:


If we have the stomach, we'll bring you more lowlights soon bro!

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<![CDATA["August" lets you relive kooshes, quintuple-shot lattes and IPOs]]> "That was probably the most accurate part, seeing Fucked Company at your company while you still worked there," Friendster founder Jonathan Abrams joked at a panel after a screening of the film August. Director Austin Chick assured "that was in the script from the beginning." "It's kinda like Fucked Company," Fucked Company creator (and AdBrite founder) Phillip "Pud" Kaplan shouted from the audience moments later. The latest Josh Hartnett vehicle, produced in part by Josh Hartnett, August attempts to portray tragedy while simultaneously reifying the "Internet rockstar" archetype. But it's dated from the start by Aronofsky-esque visuals and a Fischerspooner soundtrack as Hartnett's character Tom, CEO of Landshark, hears in passing of Internet-video startup Pseudo.com laying off dozens as his own public company is exploding around him.

The film will appeal to at least three camps: Those for whom Hartnett can do no wrong, anyone who appreciates a "Please, God, give me another bubble before I die" bumper sticker and New Yorkers of a certain age. I can identify on two of the three counts, but still, the film felt like a naked Indiewood appeal for me to consider Hartnett a serious actor. For starters, how did this startup founder know about tight, pegged jeans; skinny, shapeless, twill-cotton sportcoats and "douchebag neck" tees three years before Williamsburg?

A steely-eyed, remorseless David Bowie gives the movie a certain cachet and this appearance by Jason Calacanis as a master booster will also have its draw. But I can't see it crossing any mainstream borders even after building bridges between psychographic camps. I'd give it the early-mover advantage, except a lot of the same territory was already covered better by Groove.

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<![CDATA[Fake technology company most believable part of "Kabluey" premise]]> Kabluey, one of those twee Indiewood flicks that will make you laugh while tugging at your heartstrings (and give former Friends star Lisa Kudrow a chance to show her serious actress chops) is based on the real-life complications of taking care of a family while the father is fighting a war on the other side of the planet. Those details come from filmmaker Scott Prendergast's experience watching his sister-in-law cope with the fallout of her husband and his brother being deployed to Iraq. Which is believable, but not something I'd milk for laughs.

And it's not the kind of zany premise that gets people into theaters. For that, Prendergast put on a puffy blue suit with a giant, round head — the fictional icon of fictional technology company BlueNexion, which hires his character Salman to stand on a lonely stretch of Texas highway and, inevitably, get into hijinx. To its credit, it looks far more entertaining than August.

Watching the slapstick-and-ennui portrayal of a schlemiel as corporate mascot in the film's trailer couldn't help but remind me of the poor Podcast Pickle, familiar to anyone who's attended South by Southwest Interactive the last few years. The film opened in New York City on July 4, and will be coming to a hip theater near you here in the Bay Area on August 1.

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<![CDATA[Slide's Top Friends back on Facebook after third-party privacy audit]]> Facebook's third-most popular widget, Slide's Top Friends, is back after Facebook suspended it on June 26. (The offense: displaying Top Friends' users birthdays and other private information that wouldn't normally be visible on Facebook.) What took so long? Following the suspension, Slide wanted to call its apps the most secure on Facebook. To feel comfortable doing so, it contracted a third-party audit firm to review its applications and source code, Slide exec Keith Rabois told us. "The issue with Top Friends was fixed immediately," Rabois told us, "But as you might imagine an independent audit takes time to perform." Elsewhere on Facebook, Slide's privacy troubles seem to be spreading.

Slide rival Rock You's Super Wall saw traffic plummet 70 percent in the last week. InsideFacebook's Justin Smith speculates the dip is due to "some kind of punitive action against the application" over privacy concerns by Facebook, "perhaps by restricting feed access or by lowering the application’s notification or invitation limits." Another source tells us Flixster, the widgetmaker behind the Movies app, is going through similar punishment from Facebook over privacy concerns.

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<![CDATA[Casting call for inevitable Henry Nicholas biopic]]> It wasn't a coincidence that I mentioned Robert Evans in a post about everyone's favorite drug-addled, sex-obsessed and federally indicted entrepreneur Henry Nicholas of Broadcom. With Josh Hartnett starring in what looks like a schlocky ode to dot-com excess in August, the details of Nicholas' indictment reading more like the outline of Blow, and locations ripped from The OC and Laguna Beach, it's perfect fodder for a Hollywood screenplay. In fact, Evans protegé Brett Ratner could produce, with Michael Mann directing and Paul Haggis as the ghostwriter for the script Nicholas would be daft not to pen while locked up at Betty Ford. But any good package needs an "opener" as they say in the biz — a big name star for the marquee to draw crowds. So I ask you, dear readers, who would you cast as Nicholas?

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<![CDATA[Josh Hartnett stars as dot-com entrepreneur in "August"]]> Hollywood's taking a stab at bringing sexy back to the world of the Valley in August, which posits Tom Sterling (Josh Hartnett) and brother Joshua (Adam Scott) as founders trying to keep their fictional Silicon Alley startup Razorfish Landshark afloat amidst 2001's dot-bomb. Androgynous rock legend David Bowie even has a cameo as an investor trying to wrest control of the company from the founders. Never have term sheets and board meetings been so exciting! More surprising? Andre Royo, best known for his gritty portrayal of the junkie with a heart of gold Bubbles on HBO's The Wire has a supporting role. And that, more than than the action-packed, fast-paced trailer, actually makes me want to see it.

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<![CDATA[Oscar Screener Piracy Less Of A Problem, Thanks To Regular Piracy]]> Since the MPAA tried to ban screeners of Oscar-nominated films over piracy fears in 2003, the risk of those screeners leaking to the Internet has actually fallen, according to research by journalist/programmer/dot-com founder Andy Baio. But a month before the ceremony, all but six of this year's 34 nominated films have been leaked online. Below, how movie studios' fear of piracy (okay, "stealing") was the best thing that happened to pirates. Plus, how a studio's fear of piracy kills a movie's Oscar chances.

Ripped copies of commercial DVDs have replaced screener copies, thanks to early-release DVDs from other world regions. Those DVDs, which skip the special features and image processing that go into American releases, were originally made to sell copies earlier in countries like Russia, where pirated screeners get ripped to DVD and are sold on the street. But by beating the pirates to the punch in the East, distributors helped viewers in the West get high-quality pirated movies before the Academy even got their screeners.

But that's not all the irony! Fear of piracy can also kill a film's Oscar chances. Baio noted in last year's piracy roundup that late and broken screeners probably killed Munich's Oscar shot in 2005, and that Crash won Best Picture after sending screeners to all the voters it could, while Disney took such anti-piracy pains that over a fourth of Academy voters didn't even watch its screeners, and Narnia only won Best Makeup.

Since some studios seem willing to kill their chances at an Oscar just to keep leaks off the Internet, I want to know: How many of you actually pirate movies online?

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<![CDATA[Scientists Perfect Indie Movie With Least Possible Appeal Ever]]> Wait, how did we miss this Sundance pick? It's called August. It's about a the wild life of a would-be Silicon Alley dot-com entrepreneur—in 2001! In August of 2001! The Times description makes it sound positively irresistible:


It is a movie about hubris, both that of the C.E.O., played by Josh Hartnett, and the United States in the weeks before Sept. 11. There is one shot in which Mr. Hartnett wakes up woozy from a chemically enhanced night at the then-newly opened Bungalow 8, then is shown on the street against the backdrop of the World Trade Center. August has many of the little touches of the era right. There is a cameo by Jason Calacaniss, the Silicon Alley magazine founder, who seemed to be everywhere in those days. The employees at the doomed company compulsively check a Web site with an unprintable name that covers imploding start-ups, their impending layoffs and their large burn rates.

It's Fucked Company the Movie! Bungalow 8! Jason Calacanis! And ominous portent! The Times can't spell Calacanis' name right! Mid-2001 is back! Maybe Giuliani will be President! We're totally founding Dodgeball, see you suckers later.

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<![CDATA[Video proof: Traffic bonuses kill]]>
"The more people who visit the site, the faster he bleeds." Untraceable, starring the always-watchable Diane Lane, opens January 25th. There's a freeze frame hint in the trailer that says user: owen. My God, the calls are coming from inside the house!

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<![CDATA[Download all the Oscar contenders]]> Boing Boing points out Oscartorrents, a tracker of Oscar nominee BitTorrents from the folks at The Pirate Bay. Leech all the ostensibly Oscar-worthy fare you want, then judge for yourself (voting enabled). Will Oscartorrents strike a conciliatory note with movie studios? Not exactly: "Face it: your membrane has burst, and it wasn't us who burst it. Your precious bodily fluids are escaping." Juicy!]]> http://gawker.com/index.php?op=postcommentfeed&postId=235855&view=rss&microfeed=true <![CDATA[Crash this shooting: Get in Facebook's secret movie]]> Facebook cake - ValleywagFacebook posted a flyer for NYU users on its web site, reading:

Facebook is filming a movie this Sunday near NYU. If you'd like to be interviewed and have any funny Facebook stories or thoughts we'd love to hear them! Email [redacted] for details and times!

You don't need to e-mail; we found out Facebook will film from 11 to 5 on Sunday, around the Washington Square area. The movie will be used internally at Facebook (as a holiday video) but won't go out online — at least until someone forwards it to tips@valleywag.com.

Why is the Palo Alto company shooting film in New York? Probably because the students are prettier there.

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